D*Face, Artist :: 120 Seconds
D*Face meets a fan of his work who promises entry to the hottest clubs in New York City making this night out quite unpredictable and memorable.
D*Face meets a fan of his work who promises entry to the hottest clubs in New York City making this night out quite unpredictable and memorable.
About D*Face:
What now seems like a lifetime but is merely a decade ago I sat slumped at my desk, head on arm pushing a pencil round a piece of paper dreaming up ways to kill time and break the chains holding me to my desk, Monday to Friday each day became the same and I was eating my brain.
Then one day whilst dreaming up further ideas in the series of 'Ways to kill time' the pencil lines on the pad started to become characters, strange and dysfunctional they formed my dysfunctional world which had no rule. Slowly I figured the pencil could be replaced with a marker pen - the Pentel N50 to be exact - and the paper replaced with cheap vinyl which was 'acquired' from DIY stores, these characters once resigned to a life on paper filed in a folder under 'Not suitable for visual consumption' began to have a life of their own; adhered to lamp post and electrical boxes they plotted and linked my route home, one became 10 and slowly 10 became more than I can remember. Each evening and as much of the day as I could rob was spent drawing and cutting out stickers. Stickers became posters, posters became more ambitious... and somewhere in between I quit my job or maybe that was I got fired, either way the inevitable had happened. Like a river cuts it's own path, I'd cut mine.
This family of dysfunctional characters began evolve, they started to satirise and hold to ransom all that fell into their grasp – a welcome jolt of subversion in today’s media-saturated environment - the very same thing I'd grown up on. Bank notes were drawn and printed over and put into circulation for the unsuspecting to receive in their change, billboards taken over with public service announcements... I wanted to encourage people to not just to 'see', but to look at what surrounds them and their lives, reflecting our increasingly bizarre popular culture, re-thinking and reworking cultural figures and genres to comment on our ethos of conspicuous consumption. A Pandora’s box of bittersweet delights - sweet and sugary on the surface, but with an unfamiliar, uncomfortable, taste beneath.
This isn't the beginning, it's not the end it's happy never ending.
Links to D*Face: http://www.dface.co.uk
Miru Kim, Artist :: 120 Seconds
Miru Kim shares her simple method to battle stress - take a mini vacation by stepping outside and finding something new - which is how she began discovering the underground tunnels and abandoned buildings that inspire her photography work.
Video Descption: Miru Kim shares her simple method to battle stress - take a mini vacation by stepping outside and finding something new - which is how she began discovering the underground tunnels and abandoned buildings that inspire her photography work.
Photo: Miru Kim "Freedom Tunnel" New York City
Miru Kim, Artist :: 120 Seconds from friendswelove.com on Vimeo.
About the Artist: Miru Kim is a New York-based artist who has explored various urban ruins such as abandoned subway stations, tunnels, sewers, catacombs, factories, hospitals, and shipyards. She was featured as one of America's Best and Brightest 2007 in Esquire magazine. Her work has been spotlighted in various other media such as The New York Times, TED.com, The Financial Times, NY Arts Magazine, ARTE France, Ovation TV, Time Out New York, PopPhoto.com, The Korea Daily, La Stampa, Berlingske Tidende, VanityFair.de, and Dong-A Daily. Public collections of her work include Leeum, Samsung Museum of Art.
Miru was born in Stoneham, Massachusetts in 1981 and was raised in Seoul, Korea. She moved back to Massachusetts in 1995 to attend Phillips Academy in Andover, and moved to New York City in 1999 to attend Columbia University. In 2006, she received an MFA in painting from Pratt Institute.
Links: mirukim.com/